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Participation: 50%-79%
Unique Chords: 3-6
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HWV27A3N21 - Arsace "Fatto è Giove un Dio d'inferno"
edward.maurath
5:20 Est. Play
Time
44 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 40 6 7 79%
Bass 30 38 9 5 97%
View all 8 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cembalo Continuo Treble 19 40 6 7 79%
Bass 30 38 9 5 97%
Violoncello Continuo Bass 23 0 7 5 97%
Arsace 18 0 6 7 74%
Violini Treble 21 5 4 4 66%
Contrabassi Continuo Bass 19 0 4 5 63%
Contrabasso Continuo Bass 19 0 4 5 63%
Violoncelli Continuo Bass 19 0 4 5 63%
 
HWV19A1N10 - Bertarido, "Bertarido fù Rè"
edward.maurath
0:49 Est. Play
Time
12 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bertarido Treble 12 0 5 3 100%
Cembalo Continuo Treble 13 6 6 3 83%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Bertarido Treble 12 0 5 3 100%
Cembalo Continuo Treble 13 6 6 3 83%
Bass 14 3 2 3 53%
Viola 4 0 0 2 42%
Violoncello Continuo Bass 4 0 1 2 42%
Vln
1		 Treble 5 0 2 2 42%
Vln
2		 Treble 4 0 1 2 42%
 
HWV8A0N17 - Dai, quando vuoi, recitativo secco
edward.maurath
0:16 Est. Play
Time
3 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 4 0 1 3 100%
Harp Treble 4 2 0 1 67%
View all 7 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violoncello Bass 4 0 1 3 100%
Harp Treble 4 2 0 1 67%
Bass 3 0 1 1 67%
Harpsichord Treble 10 3 3 2 67%
Bass 2 0 0 1 33%
Apollo 5 0 1 3 67%
Erato 4 0 0 3 67%
 
HWV63A1N4 - "From this dread scene" in g minor
edward.maurath
3:00 Est. Play
Time
84 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cemballo Continuo Treble 21 4 9 5 53%
Bass 22 0 8 5 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cemballo Continuo Treble 21 4 9 5 53%
Bass 22 0 8 5 100%
Contrabassi Continuo Bass 22 0 8 5 100%
Violoncelli Continuo Bass 22 0 8 5 100%
Violoncello Continuo Bass 22 0 8 5 100%
Alto 16 0 4 4 71%
Soprano 17 0 6 4 65%
Violini 1 Treble 22 0 7 5 53%
Violini 2 Treble 23 0 9 5 53%
 
Concerto for Viola, Cello, and Orchestra in C minor, Op. 17: I. Con brio
Armin Thomas
7:43 Est. Play
Time
280 Measures
2,886Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
1		 Treble 34 3 15 9 76%
Cellos Bass 28 4 13 9 76%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Violins
1		 Treble 34 3 15 9 76%
Cellos Bass 28 4 13 9 76%
Violas 21 0 10 7 76%
Violins
2		 Treble 27 0 11 8 75%
Horn
in
F		 Treble 22 0 7 8 47%
1.2.
Clarinet
in
B		 Treble 29 2 10 6 47%
Flute Treble 24 0 10 8 42%
Trumpet
in
B		 Treble 24 0 7 8 38%
Oboe Treble 32 0 13 7 36%
Solo
Viola 		35 14 16 10 27%
Solo
cello		 Bass 32 7 17 10 24%
Timpani Bass 11 0 4 6 12%
 
Variations Prelude No 1 by Tylando Schriner Op.4 by Josue Lackwood
Josué L.M
2:19 Est. Play
Time
38 Measures
1,155Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 41 2 23 3 94%
Treble 39 1 23 4 92%
View all 4 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Piano Treble 41 2 23 3 94%
Treble 39 1 23 4 92%
Treble 36 1 19 4 91%
Treble 23 4 8 3 79%
 
HWV17A3N06Y1724-Cleopatra, "Piangerò, la sorte mia" in E Major
edward.maurath
6:16 Est. Play
Time
69 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Celli Bass 21 0 5 6 100%
Kontrbaß Bass 21 0 5 6 100%
View all 9 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Celli Bass 21 0 5 6 100%
Kontrbaß Bass 21 0 5 6 100%
Cleopatra Treble 15 0 2 8 88%
Vln
1		 Treble 20 0 4 5 80%
Harpsichord Treble 18 9 3 6 78%
Bass 18 6 3 6 78%
Continuo Bass 17 0 3 6 78%
Vln
2		 Treble 20 0 4 5 64%
Flute Treble 11 0 1 4 51%
 
HWV56 N 48 u EJM - BAS=The trumpet shall sound=D Major
edward.maurath
9:34 Est. Play
Time
342 Measures
5,290Kb
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 22 1 5 8 95%
Violoncellos Bass 22 1 5 6 95%
View all 10 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Cello Bass 22 1 5 8 95%
Violoncellos Bass 22 1 5 6 95%
Violone Bass 22 1 5 6 95%
Harpsi Treble 20 83 5 6 90%
Bass 27 52 7 6 76%
Basso Bass 16 3 4 7 72%
Trumpet In
C		 Treble 14 12 2 9 70%
Violin 1 Treble 16 65 2 9 59%
Viola 14 0 1 8 51%
Violin 2 Treble 14 0 1 7 11%
 
HWV17a2n12y1724 - Cornelia, "Cessa omai di sospirare!" in F Major
edward.maurath
4:44 Est. Play
Time
81 Measures
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 20 4 5 7 78%
Bass 23 12 6 6 99%
View all 12 Parts
Unique
Notes		 Unique
Chords		 Unique
Accidentals		 Rhythmic
Complexity		 Percent
Played
Harp Treble 20 4 5 7 78%
Bass 23 12 6 6 99%
Harpsichord Treble 17 4 5 7 65%
Bass 23 11 6 6 99%
Continuo Bass 21 0 5 7 99%
Vln
1		 Treble 16 0 4 7 79%
Vln
2		 Treble 17 0 5 7 79%
Celli Bass 19 0 3 6 62%
Contrabasses Bass 22 0 3 6 62%
Cornelia 12 0 3 7 62%
Flute Treble 13 0 4 7 59%
Violas 16 0 4 7 56%